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les Oscars 2008
Hop :
Performance by an actor in a leading role George Clooney in “Michael Clayton” (Warner Bros.) Daniel Day-Lewis in “There Will Be Blood” (Paramount Vantage and Miramax) Johnny Depp in “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Tommy Lee Jones in “In the Valley of Elah” (Warner Independent) Viggo Mortensen in “Eastern Promises” (Focus Features) Performance by an actor in a supporting role Casey Affleck in “The Assassination of Jesse James by the Coward Robert Ford” (Warner Bros.) Javier Bardem in “No Country for Old Men” (Miramax and Paramount Vantage) Philip Seymour Hoffman in “Charlie Wilson’s War” (Universal) Hal Holbrook in “Into the Wild” (Paramount Vantage and River Road Entertainment) Tom Wilkinson in “Michael Clayton” (Warner Bros.) Performance by an actress in a leading role Cate Blanchett in “Elizabeth: The Golden Age” (Universal) Julie Christie in “Away from Her” (Lionsgate) Marion Cotillard in “La Vie en Rose” (Picturehouse) Laura Linney in “The Savages” (Fox Searchlight) Ellen Page in “Juno” (Fox Searchlight) Performance by an actress in a supporting role Cate Blanchett in “I’m Not There” (The Weinstein Company) Ruby Dee in “American Gangster” (Universal) Saoirse Ronan in “Atonement” (Focus Features) Amy Ryan in “Gone Baby Gone” (Miramax) Tilda Swinton in “Michael Clayton” (Warner Bros.) Best animated feature film of the year “Persepolis” (Sony Pictures Classics) Marjane Satrapi and Vincent Paronnaud “Ratatouille” (Walt Disney) Brad Bird “Surf's Up” (Sony Pictures Releasing) Ash Brannon and Chris Buck Achievement in art direction “American Gangster” (Universal) Art Direction: Arthur Max Set Decoration: Beth A. Rubino “Atonement” (Focus Features) Art Direction: Sarah Greenwood Set Decoration: Katie Spencer “The Golden Compass” (New Line in association with Ingenious Film Partners) Art Direction: Dennis Gassner Set Decoration: Anna Pinnock “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Art Direction: Dante Ferretti Set Decoration: Francesca Lo Schiavo “There Will Be Blood” (Paramount Vantage and Miramax) Art Direction: Jack Fisk Set Decoration: Jim Erickson Achievement in cinematography “The Assassination of Jesse James by the Coward Robert Ford” (Warner Bros.) Roger Deakins “Atonement” (Focus Features) Seamus McGarvey “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Janusz Kaminski “No Country for Old Men” (Miramax and Paramount Vantage) Roger Deakins “There Will Be Blood” (Paramount Vantage and Miramax) Robert Elswit Achievement in costume design “Across the Universe” (Sony Pictures Releasing) Albert Wolsky “Atonement” (Focus Features) Jacqueline Durran “Elizabeth: The Golden Age” (Universal) Alexandra Byrne “La Vie en Rose” (Picturehouse) Marit Allen “Sweeney Todd The Demon Barber of Fleet Street” (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Colleen Atwood Achievement in directing “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Julian Schnabel “Juno” (Fox Searchlight) Jason Reitman “Michael Clayton” (Warner Bros.) Tony Gilroy “No Country for Old Men” (Miramax and Paramount Vantage) Joel Coen and Ethan Coen “There Will Be Blood” (Paramount Vantage and Miramax) Paul Thomas Anderson Best documentary feature “No End in Sight” (Magnolia Pictures) A Representational Pictures Production Charles Ferguson and Audrey Marrs “Operation Homecoming: Writing the Wartime Experience” (The Documentary Group) A Documentary Group Production Richard E. Robbins “Sicko” (Lionsgate and The Weinstein Company) A Dog Eat Dog Films Production Michael Moore and Meghan O’Hara “Taxi to the Dark Side” (THINKFilm) An X-Ray Production Alex Gibney and Eva Orner “War/Dance” (THINKFilm) A Shine Global and Fine Films Production Andrea Nix Fine and Sean Fine Best documentary short subject “Freeheld” A Lieutenant Films Production Cynthia Wade and Vanessa Roth “La Corona (The Crown)” A Runaway Films and Vega Films Production Amanda Micheli and Isabel Vega “Salim Baba” A Ropa Vieja Films and Paradox Smoke Production Tim Sternberg and Francisco Bello “Sari’s Mother” (Cinema Guild) A Daylight Factory Production James Longley Achievement in film editing “The Bourne Ultimatum” (Universal) Christopher Rouse “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Juliette Welfling “Into the Wild” (Paramount Vantage and River Road Entertainment) Jay Cassidy “No Country for Old Men” (Miramax and Paramount Vantage) Roderick Jaynes “There Will Be Blood” (Paramount Vantage and Miramax) Dylan Tichenor Best foreign language film of the year “Beaufort” A Metro Communications, Movie Plus Production Israel “The Counterfeiters” An Aichholzer Filmproduktion, Magnolia Filmproduktion Production Austria “Katyń” An Akson Studio Production Poland “Mongol” A Eurasia Film Production Kazakhstan “12” A Three T Production Russia Achievement in makeup “La Vie en Rose” (Picturehouse) Didier Lavergne and Jan Archibald “Norbit” (DreamWorks, Distributed by Paramount) Rick Baker and Kazuhiro Tsuji “Pirates of the Caribbean: At World’s End” (Walt Disney) Ve Neill and Martin Samuel Achievement in music written for motion pictures (Original score) “Atonement” (Focus Features) Dario Marianelli “The Kite Runner” (DreamWorks, Sidney Kimmel Entertainment and Participant Productions, Distributed by Paramount Classics) Alberto Iglesias “Michael Clayton” (Warner Bros.) James Newton Howard “Ratatouille” (Walt Disney) Michael Giacchino “3:10 to Yuma” (Lionsgate) Marco Beltrami Achievement in music written for motion pictures (Original song) “Falling Slowly” from “Once” (Fox Searchlight) Music and Lyric by Glen Hansard and Marketa Irglova “Happy Working Song” from “Enchanted” (Walt Disney) Music by Alan Menken Lyric by Stephen Schwartz “Raise It Up” from “August Rush” (Warner Bros.) Nominees to be determined “So Close” from “Enchanted” (Walt Disney) Music by Alan Menken Lyric by Stephen Schwartz “That’s How You Know” from “Enchanted” (Walt Disney) Music by Alan Menken Lyric by Stephen Schwartz Best motion picture of the year “Atonement” (Focus Features) “Juno” (Fox Searchlight) “Michael Clayton” (Warner Bros.) “No Country for Old Men” (Miramax and Paramount Vantage) “There Will Be Blood” (Paramount Vantage and Miramax) Best animated short film “I Met the Walrus” A Kids & Explosions Production Josh Raskin “Madame Tutli-Putli” (National Film Board of Canada) A National Film Board of Canada Production Chris Lavis and Maciek Szczerbowski “Même Les Pigeons Vont au Paradis (Even Pigeons Go to Heaven)” (Premium Films) A BUF Compagnie Production Samuel Tourneux and Simon Vanesse “My Love (Moya Lyubov)” (Channel One Russia) A Dago-Film Studio, Channel One Russia and Dentsu Tec Production Alexander Petrov “Peter & the Wolf” (BreakThru Films) A BreakThru Films/Se-ma-for Studios Production Suzie Templeton and Hugh Welchman Best live action short film “At Night” A Zentropa Entertainments 10 Production Christian E. Christiansen and Louise Vesth “Il Supplente (The Substitute)” (Sky Cinema Italia) A Frame by Frame Italia Production Andrea Jublin “Le Mozart des Pickpockets (The Mozart of Pickpockets)” (Premium Films) A Karé Production Philippe Pollet-Villard “Tanghi Argentini” (Premium Films) An Another Dimension of an Idea Production Guido Thys and Anja Daelemans “The Tonto Woman” A Knucklehead, Little Mo and Rose Hackney Barber Production Daniel Barber and Matthew Brown Achievement in sound editing “The Bourne Ultimatum” (Universal) Karen Baker Landers and Per Hallberg “No Country for Old Men” (Miramax and Paramount Vantage) Skip Lievsay “Ratatouille” (Walt Disney) Randy Thom and Michael Silvers “There Will Be Blood” (Paramount Vantage and Miramax) Matthew Wood “Transformers” (DreamWorks and Paramount in association with Hasbro) Ethan Van der Ryn and Mike Hopkins Achievement in sound mixing “The Bourne Ultimatum” (Universal) Scott Millan, David Parker and Kirk Francis “No Country for Old Men” (Miramax and Paramount Vantage) Skip Lievsay, Craig Berkey, Greg Orloff and Peter Kurland “Ratatouille” (Walt Disney) Randy Thom, Michael Semanick and Doc Kane “3:10 to Yuma” (Lionsgate) Paul Massey, David Giammarco and Jim Stuebe “Transformers” (DreamWorks and Paramount in association with Hasbro) Kevin O’Connell, Greg P. Russell and Peter J. Devlin Achievement in visual effects “The Golden Compass” (New Line in association with Ingenious Film Partners) Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood “Pirates of the Caribbean: At World’s End” (Walt Disney) John Knoll, Hal Hickel, Charles Gibson and John Frazier “Transformers” (DreamWorks and Paramount in association with Hasbro) Scott Farrar, Scott Benza, Russell Earl and John Frazier Adapted screenplay “Atonement” (Focus Features) Screenplay by Christopher Hampton “Away from Her” (Lionsgate) Written by Sarah Polley “The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Screenplay by Ronald Harwood “No Country for Old Men” (Miramax and Paramount Vantage) Written for the screen by Joel Coen & Ethan Coen “There Will Be Blood” (Paramount Vantage and Miramax) Written for the screen by Paul Thomas Anderson Original screenplay “Juno” (Fox Searchlight) Written by Diablo Cody “Lars and the Real Girl” (MGM) Written by Nancy Oliver “Michael Clayton” (Warner Bros.) Written by Tony Gilroy “Ratatouille” (Walt Disney) Screenplay by Brad Bird Story by Jan Pinkava, Jim Capobianco, Brad Bird “The Savages” (Fox Searchlight) Written by Tamara Jenkins
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#2
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Ils ont quoi avec leur Michael Clayton ? Et pas de American Gangster dans les oscars importants, hum.
Bon je ne parle même pas du snobisme envers les films d'animation, Ratatouille méritant 1 000 fois d'être nominé pour la catégorie du meilleur film. Je ne parle même pas de l'absence totale de We Own The Night, mais bon, les étasuiniens n'ont pas aimé ce film. Enfin bon, vivement la sortie de No Country for Old Men et There Will Be Blood en tout cas. Ah ben tiens, pendant que j'y suis à glander sur Buzz, les Fredeur Oscars Wooters : Best motion picture of the year : Ratatouille Performance by an actor in a leading role : Joaquin Phoenix in "We Own the Night" Et c'est tout, on n'est pas chez Jacques Martin avec les Fredeur Oscars Wooters, non mais.
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#3
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Mais il va y avoir une cérémonie collet-monté/balai-dans-le-cul, cette année, ou juste une conférence de presse because grève des scénaristes?
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#4
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Ah ben tant que la grève n'est pas finie, à mon avis, les Oscars vont faire comme les participants du Dakar, rester chez eux.
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#5
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vu les films sélectionnés de toute façon, et pas que ce soit un changement, en ce qui me concerne ils peuvent faire leur truc sous une tente avec une bouteille de ricard.
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johnkeats.space-blogs.com |
#6
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Ah ben quand même, No Country For Old Men et There Will Be Blood.
Oui, je ne les ai pas vu, mais j'y crois fort
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#7
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oui voilà pas vus, et pratiquement tous les films que j'ai aimé en 2007 (et depuis le début de la présente année) sont ignorés par "l'academy".
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johnkeats.space-blogs.com |
#8
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Marion Cotillard nominee pour sa prestation hysterique "t'as vu comme je fais bien la mamie que je me penche" de La Vie En Rose? Wouargh...
Hum, ouais, je l'ai vu et alors? C'est ma femme qui m'a oblige. Elle a ete bien punie elle aussi, une sacree purge de film. Javier Bardem en Terminator avec la coupe de cheveux de Garcimore dans No Country For Old Men, pas mal aussi. Ils font pas dans la dentelle les oscars cette annee. |
#9
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Sinon, Fredeur, Ratatouille est nomine pour le meilleur scenar.
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johnkeats.space-blogs.com |
#11
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Ouais, et aussi faut reconnaitre que ca brosse l'Amerique dans le sens du poil. Les scenes a New York sont embarassantes de mievrerie.
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#12
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lustrer le poil de l'Amérique, c'est la France d'après ça.
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johnkeats.space-blogs.com |
#13
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Ratatouille aurait du être nominé dans toutes les catégories.
Oui, Rémi est le meilleur acteur de 2007 Vous êtes dur quand même avec Marion Cotillard, j'ai trouvé qu'elle s'en était très bien sortie. Bon le film, je ne l'ai guère apprécié.
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#14
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Chais pas ce que vous avez avec ce film, c'était pas terrible. par rapport a Monstres et Cie ou The Incredibles.. Sinon j'ai vu aucun des films présentés a part Ratatouille donc, et y a meme pas Hot Fuzz et Shoot them up...tssss...Oscars caca. mais j'espere beaucoup pour "no country for old men" aussi.
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#15
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Ouais, Shoot'em Up aux oscars, good idea.
Crank pendant qu'on y est.
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